My perception of it is enhanced immensely by the fact that I've read/seen "The Remains of the Day" now...they work well as companion pieces, in a way. Please see the aforementioned masterpiece or [i]Little Fish[/i] long before you consider boring yourself with this dull waste of time, space and money.excellent film, great acting all round though sadly Stephen Fry is badly miscastI saw this when it first came out and watched it again on VHS yesterday. The entrance to the forest is signposted along this road.This feedback form is for issues with the nidirect website only.You can use it to report a problem or suggest an improvement to a webpage.If you have a question about a government service or policy, you should You must be aged 13 years or older - if you’re younger, ask someone with parental responsibility to send the feedback for you.Don't include any personal or financial information, for example National Insurance, credit card numbers, or phone numbers.Comments or queries about angling can be emailed to If you have a comment or query about benefits, you will need to contact the government department or agency which handles that benefit. It wasn't always this way. While the matinee idol Ivor Novello (Jeremy Northam) plays and sings for the guests (and the discreetly star-struck servants), Smith's countess bemoans his vulgarity: Does she resent him for being a showman or because he's gay (something only hinted at here)? They're on their way to a hunting party at the manor of old Sir William McCordle (Michael Gambon) and his sleek, insouciant wife, Lady Sylvia (Kristin Scott Thomas); it's more or less through Mary's eyes that we're introduced to this orderly (but tremulous) universe. The sets and costumes are quite over-the-top and it is not the type of movie where one would see a sensible dog bed for the exotic lap dog, but instead, from all the myriad choices of high end circular Wonderful British whodunit with some sexual content.Contents and style converge smoothly and seductively in Altman's luxuriant period drama that applies Agatha Christie murder-mystery format to a rigorous anatomy of British class structure in the 1930s, with all the who's who in U.K. in the cast.Altman's unexpected venture into Agatha Christie territory works a treat.It's lovely to see that Altman, now in his 70s, still has an acid bite that would sting filmmakers half his age.Altman juggles about thirty different characters, moving them from the upper-class upstairs to the servants' quarters... and he does so without losing the audience.Pret-a-Porter and Dr. T. & and the Women, tarnished his '90s comeback, but the ornery Altman is back in top form here.please don't raise an eyebrow when you hear such lines as, "Desperate for a ***?"
It doesn't come from any one thing but from countless crosscurrents, tiny bits of color that fill out the portrait: a fleeting subversive smirk of first footman Richard E. Grant; the Hollywood dreams of second footman Jeremy Swift; the moist, lap-dog attentiveness of Gambon's valet, Derek Jacobi; the stiff, saturnine (inebriated?) Yes to the above, but Gosford Park transcends these objections and more. And attracted such an ensemble? It was the Acheson’s who first established woodland, parkland and several buildings on the demesne more than 300 years earlier.Gosford Forest Park has several miles of paths and trails provided for visitors to see these historical features, along with a mixture of conifer and broadleaf woodland with its diverse range of flora and fauna.Gosford Arboretum has a wide variety of conifer and broadleaf tree species from around the world, many of which are over 150 years old. or "Too many fags. Before electricity became widely available other energy sources were used to provide power. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs. Among the honored guests are Constance (Maggie Smith), Lady Sylvia's matronly aunt; Ivor Novello (Jeremy Northam), William's cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Knowing this small bit, go see the film and see if you agree. It's all indirection, sometimes mischievous misdirection: You have to work to get your bearings, map out the relationships, separate the salient from the inconsequential—all while Altman and screenwriter Julian Fellowes are winking at you with sundry motives for murder, red herrings, and pointed shots of knives and poison bottles.Upstairs among the lords, ladies, countesses, and honorable muck-a-mucks are lassitude, ennui, and a surprising amount of financial anxiety (Those Suez schemes didn't always pan out.) At the northern end of the arboretum beside the old walled garden, a walkway has been planted with flowering shrubs and plants and has a sundial as its focal point. And while Altman and Fellowes are setting us up for a murder, a visiting Hollywood producer (Bob Balaban) is plotting his Charlie-Chan-in-London mystery by transcontinental telephone, breathlessly reporting that there's one butler but many valets and maids, that servants actually have tasks to perform, that there's all kinds of things that Hollywood mysteries don't show.The exhilaration is slow to build. It's a study of people and the tensions and releases that happen between them more than anything else, and once again Altman has proved that he is a true master at capturing that on film.Horrible movie in my opinion, put me to sleep in the middle of a movie theater, I was so bored.Beautiful portrayal of upstairs/downstairs tensions.
Also on hand are the guests' personal servants, including Mary (Kelly Macdonald), Constance's maid; Henry (Ryan Phillippe), Weissman's valet; and Parks (Clive Owens), a butler. and gold toothpicks stand out once you are aware of their intentional use. Mirren has won—and will win—all kinds of awards for this role, for the very good reason that her wrenching final scene makes sense of every disapproving glance and tight inflection that has preceded it. I still have a hard time exactly following all the plot lines (particularly the ones involving Isabelle, the daughter), but that's probably more me than the movie.Slow, yeah it is isn't it? I was shouting at the screen after 20 minutes - 'Get on with it!'
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