"Interview with Youcef (Intik)." [Reprinted in The Anthropology of Globalization: A Reader, ed.
Rai is pronounced "rye" or "rah-AY" and translates as "opinion". It appealed to young people who sought to modernize the traditional Islamic values and attitudes.
Raï is a type of Algerian popular music that arose in the 1920s in the port city of Oran and that self-consciously ran counter to accepted artistic and social mores. In 1985, Algerian Colonel Snoussi joined with French minister of culture Jack Lang to convince the Algerian state to accept raï.In 1988, Algerian students and youth flooded the streets to protest state-sponsored violence, the high cost of staple foods, and to support the Peoples' Algerian Army.The escalating tension of the Islamist anti-raï campaign caused raï musicians such as Though raï found mainstream acceptance in Algeria, Islamic fundamentalists still protested the genre, saying that it was still too liberal and too contrasting to traditional Islamic values. Get kids back-to-school ready with Expedition: Learn!
This led to a following of a white audience that was sympathetic to the antiracist struggle.In the 1980s, raï began its period of peak popularity. Raï, a type of Algerian popular music that arose in the 1920s in the port city of Oran and that self-consciously ran counter to accepted artistic and social mores. 656-67. Raï emerged as a major world-music genre in the late 1980s.
by Jonathan Xavier and Renato Rosaldo, 1Meghelli, Samir. Reprinted in The Anthropology of Globalization: A Reader, ed. Though this limited the professional sales of raï, the music increased in popularity through the illicit sale and exchange of tapes.
Despite the governmental support, a split remained between those citizens belonging to strict Islam and those patronizing the raï scene.International success grew in the 1990s, with Cheb Khaled's 1992 album The late 1980s and early 1990s saw a rise in female raï performers. This article was most recently revised and updated by
For other uses, see Gross, Joan, David McMurray, and Ted Swedenburg. An amalgam of local Algerian and Western popular-music styles, raï emerged as a major world-music genre in the late 1980s.
Previously, the Algerian government had opposed raï because of its sexually and culturally risqué topics, such as alcohol and consumerism, two subjects that were taboo to the traditional Islamic culture. Raï started to circulate on a larger scale, via tape sales, TV exposure, and radio play.
After WWI, raï spoke to a younger generation looking for a change in traditional Islamic values and attitudes. "Arab Noise and Ramadan Nights: Raï, Rap, and Franco-Maghrebi Identities."
By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. They sang In the 1930s, Raï, al-andalousm, and the Egyptian classical style influenced the formation of During the 1970s, raï artists brought in influences from other countries such as While this form of raï increased cassette sales, its association with mixed dancing, an obscene act according to orthodox Islamic views, led to government-backed suppression. Regional, secular, and religious drum patterns, melodies, and instruments were blended with Western electric instrumentation. Diaspora 3:1 (1994): 3- 39.
Rai music began in the early 1900s as a combination of popular music and traditional Bedouin desert music. …infidelity in a style called raï. In Tha Global Cipha: Hip Hop Culture and Consciousness, ed.
In contrast to the sometimes artificial rebelliousness of Western pop, this was literally a matter of life or death, and several singers and producers were killed for flouting traditional Islamic mores.…
Louis Werner begins with a very brief discussion of the development of “World Music” as a genre, then moves on to survey the phenomenon of Rai genre which originated in Algeria. by Jonathan Xavier and Renato Rosaldo,Gross, Joan, David McMurray, and Ted Swedenburg. by James G. Spady, H. Samy Alim, and Samir Meghelli. "Arab Noise and Ramadan Nights: Raï, Rap, and By independence in 1962, the Jewish quarter (known as the Derb), was home to musicians like In the 1920s, the women of Oran were held to strict code of conduct. Religious identity and transnationalism function to define the complexities of Maghrebi identity. Music sung without instrumental accompaniment is called:
However, this suppression was overturned due to raï's growing popularity in France, where it was strongly demanded by the Maghrebi Arab community. Raï is a form of popular Algerian music that emerged in the 1920 out of Oran, known as “little Paris” for its melting pot of culture and vibrant nightlife.
This complex identity is expressed through raï music and is often contested and censored in many cultural contexts.
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