Critical Essays Thematic Structure of A Raisin In The Sun. All this time, Mama has been trying to coach Walter to become the man of the family, to act the way she and his father taught him—with pride and dignity, no matter what.
Ruth, about thirty, is more vocal about her feelings to her own husband than Mama was; still, Ruth is not as enlightened about a woman's "place" as is Beneatha, who is about twenty and pursuing a career that, in 1959, was largely a male-dominated profession.Much of the conflict between Beneatha and Walter revolves around Walter's chauvinistic view of Beneatha. We discover in the play that Walter is similar to his decease father I many ways, "And my boy is just like him- he wasn't meant to wait on nobody. Literature Notes This all comes to a head for Ruth, when she finds out she is pregnant and considers an abortion. Beneatha's Afrocentric spirit is nurtured by her relationship with the African, Asagai. mutilated hair and all." also shows a special mother and son bond. Even Beneatha's inadvertently callous response to Ruth's pregnancy is "Where is it going to sleep?
Teach your students to analyze literature like LitCharts does. Other remarks are also proof that Beneatha's views on unplanned pregnancy differ sharply from her mother's. It is interesting to note that in 1959, Beneatha's new hairstyle would have sent some shock waves throughout the audience, whereas ten years later, the same style had become so popular nationwide that it was promoted by Madison Avenue as the "Afro."
bookmarked pages associated with this title. Yet later in the play Ruth was supposed to go to the doctors when she went to a lady who did abortion illegally. Ruth Younger, who is the main character of A Raisin in the Sun and who we are looking at today, was no exception. Three generations of women reside in the Younger household, each possessing a different political perspective of herself as a woman. Everyone wasn't exactly excited though because Benetha said "where is the baby going to sleep?" In addition, toward the end of the play, we learn that Mama's maiden name was Lena Eggleston, a name that underscores the theme of fecundity as much as the argument over eggs at the beginning of the play.A related motif is the subject of abortion, which was taboo and illegal in 1959. A lecture on the African past!
It is clear that whatever George knows about Africa's past great civilizations has been learned through his association with Beneatha.Note that when Beneatha's African suitor, Asagai, is on his way to the Younger apartment, Beneatha gives her mother a hasty briefmg on African history, coaching her mother in conversational protocol. Finally, Mama tells him that Ruth is pregnant and that she fears that Ruth is considering having an abortion.
Mama agrees with her late husband’s belief that a man is meant for better things than being a servant. Now I will give a brief history of abortion. During this time period abortions were illegal, yet people would do them secretively. During the course of the play Ruth (Walter's Wife) found out that she was pregnant. The people rebelled against all of his dealings, staged a successful coup d'etat, and he was overthrown in 1966. By Lorraine Hansberry.
There was a very high chance that Ruth would die during this operation because these women were not real doctors. Ruth's advice to Beneatha is that she should just "be nice" sometimes and not argue over every one of Walter's insensitive remarks. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one: ).
Hansberry's drama asks difficult questions about assimilation and identity. Although the dialogue concerning Beneatha's decision to change her hairstyle was omitted from the original stage presentation and from the original screenplay, this dialogue is in the complete, original version of the play and was used in the 1989 American Playhouse TV presentation.In Act I, Scene 2, Asagai's off-hand remark about Beneatha's straightened hair is the catalyst for her dramatic change in Act II, Scene 1 (ironically, for her date with George Murchison and not for a date with Asagai).
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