Previously, the Algerian government had opposed raï because of its sexually and culturally risqué topics, such as alcohol and consumerism, two subjects that were taboo to the traditional Islamic culture. by Jonathan Xavier and Renato Rosaldo, 1Meghelli, Samir. "Arab Noise and Ramadan Nights: Raï, Rap, and Franco-Maghrebi Identities."
"Arab Noise and Ramadan Nights: Raï, Rap, and Franco-Maghrebi Identities." Get exclusive access to content from our 1768 First Edition with your subscription.
Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. According to authors Gross, McMurray, and Swedenburg in their article "Arab Noise and Ramadan Nights: Raï, Rap, and Franco-Maghrebi Identity," raï musician Throughout the course of raï music's development and commercialization in Algeria, there have been many attempts to stifle the genre.
Raï is a form of popular Algerian music that emerged in the 1920 out of Oran, known as “little Paris” for its melting pot of culture and vibrant nightlife.
Raï is a type of Algerian popular music that arose in the 1920sThe music performed was called raï. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Music sung without instrumental accompaniment is called:
Philadelphia: Black History Museum Publishers, 2006.Gross, Joan, David McMurray, and Ted Swedenburg. By the early 1940s In the early 20th century, Oran was divided into Jewish, French, Spanish, and Arab quarters. It appealed to young people who sought to modernize the traditional Islamic values and attitudes. However, this suppression was overturned due to raï's growing popularity in France, where it was strongly demanded by the Maghrebi Arab community. Our editors will review what you’ve submitted and determine whether to revise the article.Raï audiences increased exponentially in the 1990s, propelled largely by Cheb Khaled’s stylistic innovations—such as the incorporation of pedal steel guitars and Asian string instruments in his In the years
Diaspora 3:1 (1994): 3- 39. [Reprinted in The Anthropology of Globalization: A Reader, ed.
This popularity in France was increased as a result of the upsurge of Franco-Arab struggles against racism. For other uses, see Gross, Joan, David McMurray, and Ted Swedenburg. Reprinted in The Anthropology of Globalization: A Reader, ed.
Rai music began in the early 1900s as a combination of popular music and traditional Bedouin desert music.
In Tha Global Cipha: Hip Hop Culture and Consciousness, ed. Many of those that failed became social outcasts and singers and dancers.
They sang In the 1930s, Raï, al-andalousm, and the Egyptian classical style influenced the formation of During the 1970s, raï artists brought in influences from other countries such as While this form of raï increased cassette sales, its association with mixed dancing, an obscene act according to orthodox Islamic views, led to government-backed suppression. The government eventually attempted to ban raï, banning the importation of blank cassettes and confiscating the passports of raï musicians. In contrast to the sometimes artificial rebelliousness of Western pop, this was literally a matter of life or death, and several singers and producers were killed for flouting traditional Islamic mores.…
This was done to prevent raï from not only spreading throughout the country, but to prevent it from spreading internationally and from coming in or out of Algeria. Raï is a type of Algerian popular music that arose in the 1920s in the port city of Oran and that self-consciously ran counter to accepted artistic and social mores. In 1985, Algerian Colonel Snoussi joined with French minister of culture Jack Lang to convince the Algerian state to accept raï.In 1988, Algerian students and youth flooded the streets to protest state-sponsored violence, the high cost of staple foods, and to support the Peoples' Algerian Army.The escalating tension of the Islamist anti-raï campaign caused raï musicians such as Though raï found mainstream acceptance in Algeria, Islamic fundamentalists still protested the genre, saying that it was still too liberal and too contrasting to traditional Islamic values. Diaspora 3:1 (1994)Gross, Joan, David McMurray, and Ted Swedenburg. 656-67. However, the government attempted to "clean up" raï to adhere to conservative values.This article is about the musical genre. "Interview with Youcef (Intik)." Other entries in the Culture section consider other musical styles and artists in the greater Middle East. This led to a following of a white audience that was sympathetic to the antiracist struggle.In the 1980s, raï began its period of peak popularity. This complex identity is expressed through raï music and is often contested and censored in many cultural contexts. "Arab Noise and Ramadan Nights: Raï, Rap, and Franco-Maghrebi Identities." Raï emerged as a major world-music genre in the late 1980s. It drew its name from the Algerian Arabic word raï (“opinion” or “advice”), which was typically inserted—and repeated—by singers to fill time as they formulated a new phrase of improvised lyrics. Raï, a type of Algerian popular music that arose in the 1920s in the port city of Oran and that self-consciously ran counter to accepted artistic and social mores. By independence in 1962, the Jewish quarter (known as the Derb), was home to musicians like In the 1920s, the women of Oran were held to strict code of conduct. The fundamentalists claimed that the musical genre still promoted sexuality, alcohol and Western consumer culture, but critics of the fundamentalist viewpoint stated that fundamentalists and raï musicians were ultimately seeking converts from the same population, the youth, who often had to choose where they belonged between the two cultures. by James G. Spady, H. Samy Alim, and Samir Meghelli.
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