That’s why I love Americana, because it’s all of those things to me. I tell them at the beginning that I plan to cut the songs at some point too. I’m the youngest of six kids. Your best asset is to be yourself — nothing is going to be always right for everybody, so you might as well. Lori McKenna is old-fashioned, but it doesn't seem like she would mind be called such. Smash hits, huge tours, and big... John Prine's longtime guitarist on three essential Prine lines Jason Wilber. The title song tells the fictional of a musician surprised by her success. That’s what music is made to do and has always done.

Songwriting gives her a voice, something that fulfills her apart from her family and friends. That’s one of the things about her that’s crucial: she’s not so ingrained that she wouldn’t think to write a song like that.”Clark recalls the time she and McKenna were writing “Lori writes outside the box in a lot of ways,” adds Dave Cobb, who produced Lori’s new record.

But it was especially a surprise to me more than anybody else, that I could do this. But mostly I just feel grateful.”Not surprisingly, the two careers do intertwine. Drawn from her seemingly bottomless well of quality material, Lori McKenna returns with The Balladeer, her eleventh album and third in collaboration with producer Dave Cobb.While astute personal observations and intimate storytelling have long been hallmarks of her songwriting, the Boston native somehow manages to peel away previously unexamined layers on this deeply personal set. We all have that in us. She’s always gonna see you as yourself.

I never sang outside of our house, because I had such a strange voice — certainly, compared to my siblings, I have like the weirdest voice out of all of us. I don’t hear the different parts. McKenna wrote the majority of the album alone except for three tracks written with Hillary Lindsey and Liz Rose—a group collectively known as the Love Junkies, who also sing on the record.

When she’s folding laundry and hears a joke on Modern Family about overbearing mothers, she’ll insist on writing a song using the joke’s imagery and calling it Or, when she sits down and, like so many parents, talks with her husband about how hard it is to raise truly grounded kids in today’s world, those sentiments will serve as the foundation of Humble and Kind, a song that became a No 1 hit for McKenna has been conjuring magic out of mundanity for 20 years, ever since she started out in her late 20s as a nervous singer-songwriter on the Boston folk circuit.

So credit Lori McKenna with having accomplished that near impossible feat by establishing herself as both a renowned, critically acclaimed solo artist and a much in demand songwriter who ’s penned Grammy-winning hits for Little Big Town and Tim McGraw and become the first woman to win the Country Music Association’s Song of the Year Award an impressive two years in a row.Indeed, McKenna’s no slacker. The details are not autobiographical, but the sentiment seems appropriate to McKenna and her career. She’s gonna let you grow up and push you out, but she’s gonna wait right there for you to come home if you need her. I’ll have no idea what I’m going to write and then it just flows out. People like to separate things into genres, but Americana works for me because it is folk and it is country in a lot of ways, and those things bounce off each other in a really beautiful way. “It’s fitting that Lori would write a song called Humble and Kind, because she is both of those things,’” says the singer-songwriter In her music, McKenna zeroes in on details – the loose change in a car ashtray, the smell of last night’s smoke being rinsed out in the shower, the Walgreens parking lot where teenagers dream away their Saturday nights – letting such specifics do much of the emotional heavy lifting. The music industry has its hierarchies of style, of equipment, of identities. My space there is. But I fell into that category because of the people I was surrounded by, like Mary Gauthier and Mark Erelli, and the other people that came through the Boston community, which is really an extraordinary community of musicians. limited, but as a writer, that’s where my confidence is. I mean, there’s just no question.It’s very motherly, in my brain. You just never know, so you have to force yourself as much as you can to take in those moments and be thankful for them and be present for them.

“I haven’t lived that story, because I’ve been married forever,” McKenna says when discussing the loneliness after a one-night stand portrayed in her song Halfway Home.

I definitely have days where I wake up and feel like I can’t write a song today. Family is such a big part of both of our lives. When she says something, you’re like, ‘That’s exactly what happened to me.’ She has that kind of power with the pen.”“Ninety-nine percent of the world’s lovers are not with their first choice,” Willie Nelson once said. “It works all different ways,” she says.


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