The lower stairs are adorned with items from the owners’ collection of ceramics as well as a cast-brass bowl by De Cotiis, which sits atop a stack of books, on one of a series of movable, painted wood plinths.At the top of the stairs, through a pair of recycled fiberglass-and-brass sliding doors, the master bedroom showcases linen wall panels and a bedcover. Vincenzo De Cotiis Crafts a Serene, Brutalist Residence in Italy.
A custom-designed shelving system, made of steel, brass, and recycled wood, stands in the center of the room and includes a built-in desk. On taking over the first floor of a once-abandoned 18th-century palazzo in the Corso Magenta district of Milan, local architect and designer Vincenzo de Cotiis decided to make no structural changes to the 300-square-meter space. When Vincenzo De Cotiis was tasked with the design of this Italian private residence, one thing stood out from the demands list: privacy.. Due to the close proximity to their neighbours, the owners felt this was a key feature for the home design.The Italian designer built a concrete abode of flamboyance, perfection, and multi-material incredible details that will completely catch your attention. The form is defined by the lot and the required choice of materials: a contemporary bunker adapted to accommodate the cultural life of an educated couple.” He says, “The challenge was to create an architecture that comes to life inwards while screening its exterior, giving a sense of protection and intimacy.” De Cotiis takes this “bunker” and imbues it with warmth, texture, and human scale.Iron-framed windows in the living room open onto the terrace. David Rager, co-founder of design firm Weekends, shares his tale of LA and Paris and how he makes time for life’s little distractions.With her own firm and scores of global projects in her inventive portfolio, this architect is transforming Mexico City, one artful building at a time.Is the nine-to-five grind approaching monotony? Beyond the lounge, a skylit dining area is furnished with a custom table and wood chairs, designed by De Cotiis, that are covered in Hermès velvet. Decotiis will use the information you provide on this form to keep you informed with announcements and updates. In an essay by Anne Bony in Vincenzo De Cotiis: Works (Rizzoli Electa), the recently published book that focuses mainly on his furniture, De Cotiis cites influences like the Arte Povera movement of the late 1960s and early ’70s, and the minimalist work of Donald Judd. Interior Anne-Miek Kessels September 4, 2019 Kinfolk, Vincenzo De Cotiis, Minimal Interiors. In a preview from The Touch—the new book from Kinfolk and Norm Architects, published by gestalten—designer Vincenzo de Cotiis makes the case for not meddling with raw beauty: His 18th-century Milanese home is an homage to his fascination with … De Cotiis then furnished his home’s bright and spacious rooms with many of his own sculptural creations—all of which were produced in ateliers in Italy and previously showcased in a gallery space in Milan. At the other end of the room, steps rise to a mezzanine lounge area with custom modular seating and a vintage pole-mounted light fixture from the owners’ collection; warm-toned recycled wood lines the wall that faces the street.
He explains this seeming departure from his previous residential work by saying that in this case, there was “no historical stratification, no previous trace. The home’s exterior is made of concrete, painted wood, and brass. “What was beneath—in a wonderfully imperfect, worn state—was far more incredible.”De Cotiis, who had long harbored a personal passion for time-worn objects, purposely left the apartment’s crumbling walls untreated, and uncovered each room’s original color scheme; the pink frescos of the library, the embellished greys and greens of the living room ceiling, and the dark green and pink Brazilian marble fixtures in the master bathroom. Ode, an installation that was part of Dysfunctional—an exhibition at the Ca’ d’Oro, organized by Carpenters Workshop Gallery for last year’s Venice Biennale—was a series of tall, upright forms in recycled fiberglass and silvered brass, arranged to form a “barrier” with social as well as formal meanings, but which could also become room dividers. De Cotiis describes his style as “eclectic”; a combination of antique and futuristic elements, with materials marked by aged patinas or imperfect finishes. I feed on many different stimuli spanning art, architecture, and imagery.” De Cotiis is known for his richly textured, ruggedly sculptural limited-edition and custom furniture, which combines iconic modernist materials like brass and Tuscan marble with decidedly less conventional ones, like fiberglass recycled from old boats, and recycled wood—with elegant results. You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, We wull treat your information with respect. via Kinfolk Vincenzo De Cotiis Tumblr Pinterest. It is also mercurial: because of his easy access to beautiful objects, De Cotiis frequently re-curates the apartment with new items for display. century furnishings, the layers are almost all modern. On table, 19th-century parrots, hand-blown Murano glass vase, and Vintage ceramic vase.On the terrace, a marble-and-brass side table by Vincenzo De Cotiis stands alongside a pair of vintage chairs. In Residence: Vincenzo De Cotiis Inside the interior architect’s eighteenth-century Milan townhouse. . Outside, the layout mimics the varied levels of the interior, with the pool terrace leading up to an open-air dining area off the kitchen.From the living room, two flights of stairs—the first covered in iron and the second a series of cantilevered concrete treads—ascend to the bedroom level.
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