The colorfully garbed hippies and the far larger, sympathetic legion of young people who shared some of the hippie idealism were no longer some wayward fringe; they Similarly, the key performers on stage were not just entertainers in the traditional pop sense. A partial list of his credits: Watkins Glen, the 1973 outdoor concert in upstate New York that drew more than 600,000 fans to hear the Band, the Allman Brothers and the Grateful Dead; Bob Dylan’s triumphant U.S. comeback tour with the Band in 1974; the Band’s “Last Waltz” farewell concert in 1976; the first US Festival in San Bernardino in 1982; the ARMS benefit tour in 1983; the Live Aid concert in Philadelphia in 1985; the Moscow Peace Concert that took Santana, Bonnie Raitt, James Taylor and the Doobie Brothers to the Soviet Union in 1987; the Amnesty International world concert tour in 1988; and hundreds of individual concerts year in and year out.“Bill Graham was the impetus for me to get involved in the music business,” said San Diego concert promoter Bill Silva.“I grew up in the Bay Area and the first concerts I ever went to were all Bill Graham concerts. The murder remains unsolved to this day.The Fillmore trademark and franchise has defined music promotion in the United States for the last 50 years.
“You lose control, and unless everyone in that mass of people is a dove, you’ve got a problem. Part I, Page 1.Rents are declining in Los Angeles County, with the largest decreases seen in luxury properties, according to reports from RealPage and CoStar. Closed." You may occasionally receive promotional content from the San Diego Union-Tribune. “That’s when FM album-rock became a big, big business . It wasn’t until sales began dropping--from $4.13 billion in 1978 to $3.68 billion in 1979--that companies and stations began to incorporate what was the most dramatic revolution in rock since the Monterey to Woodstock period.There were other reasons retail sales in the record industry are now at an all-time high ($6.25 billion in 1988). There were also echoes of the idealism of the Woodstock era in such international benefits as Live Aid and the 1988 Amnesty International tour.This adds up today to an uneasy truce between the ‘70s corporate ways and the ‘60s idealism. The hall’s characteristic schedule was a two-show, triple-bill concert several nights a week. And who better to reflect on those changes than Graham, the man who established the precepts of modern-day rock concerts and musical mega-events?“Bill Graham put concert promoting on the map; he’s the guy that started it all,” said David Swift of Avalon Attractions, a Graham competitor.It’s difficult to name a major rock event that Graham hasn’t been involved with. .
He has produced thousands of shows, including hundreds of stadium dates, and he oversees a company that sells concert merchandise, including T-shirts and programs. CV 10-4877 CW The new owners sold the company to SFX Promotions,German-American impresario and rock concert promoterFillmore Auditorium (December 10, 1965 – July 4, 1968)Fillmore Auditorium (December 10, 1965 – July 4, 1968)United States District Court Northern District of California Oakland Division Case No. Biography. “He just stands there for 45 minutes and plays the most brilliant music that Bill has ever heard. If you screwed up, Bill was just relentless and unforgiving. Graham was born in Kansas City, Missouri and grew up in Denver, where he led his own ensemble which included Paul Quinichette among its members. They don’t go to partake in some social discussion. Estimated U.S. record sales progressed steadily, but not spectacularly, from $1.36 billion in 1968 to $1.58 billion in 1969 to $1.7 billion in 1971, according to the Recording Industry Assn. “Because I was raised in New York from the time I was 11 ‘til I was 21, and I worked all my summers at the Concord Hotel. "Graham was denied by the Board of Permit Appeals who refused to overrule the first denial. If you’re going to put something out there, put some meat on it, and put it on a plate and serve it. After returning home from the Korean war, in his early 20s he worked as a waiter in the Catskills where he hoped to become an actor. “But he definitely yelled at her and her band cause they were all spaced out hippies from San Francisco.
“For the second show he doesn’t move,” says Greenfield. .
Janis Joplin was already on her way to becoming a rock legend when she stepped on stage 20 years ago at Woodstock, her trademark bottle of Southern Comfort in hand.Arguably the most compelling white blues singer of the era, Joplin was an electrifying performer who put so much emotion into each concert that her every night on stage had the feel of a triumphant final stand.Befitting Joplin’s status in rock, she was paid $7,500 at Woodstock--$1,250 more than the Who in the year of “Tommy” and $2,500 more than the highly regarded new teaming of Crosby, Stills, Nash & Young.Concert promoter Bill Graham, who was at Woodstock, smiles today when he thinks of Joplin’s fee and the bottle of Southern Comfort. For the past 25 years, Graham’s name has been synonymous with rock ‘n’ roll -- for better and worse.The most influential rock concert promoter in the United States, he has helped to shape the direction of contemporary music and the culture it mirrors as surely as Bob Dylan, the Rolling Stones, the Who, Crosby, Stills and Nash or any of the dozens of other major artists whose tours he has produced since staging his first concert -- a benefit for the San Francisco Mime Troupe -- in 1965.As a new decade dawns and rock music approaches middle age, it seemed an especially appropriate time to reflect on the music’s development and the changes it has undergone. By schmoozing with merchants and having criminologists and sociologists from U.C. But he firmly believes that Woodstock embodied, if only for a moment, the ideals of a generation that wanted to build a kinder, gentler world.Despite turning down offers to produce a Woodstock anniversary festival last summer, he still speaks fondly of the possibilities of change Woodstock suggested.“What I know now that I didn’t know then is that I’m certain I’ll never have that feeling again, of people really wanting to be part of that spirit.
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It was considered a radical move.“The radio world looked at those FM stations as jokes .
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